‘I just didn’t get any of that’, ‘But what did it all mean’, ‘What was that all about’ mutters the audience as they stumble out of the smoke. In an absurd play where logic and rationality have broken down there will always be a sense of profound disengagement. It is all too easy for the critic to cry ‘I didn’t understand it, it was brash and incoherent’.
But why do we need meaning? Why is it so hard just to let the action play out without having a clear beginning or end?
To attempt to make any sense of a play like Throats you have to leave any expectation of plot, narrative, structure or rational meaning at the door and then see what jumps out at you. Each of our seven characters lacks a coherent linear background, so we don’t have the opportunity to prejudge their dialogue or actions. Yet…
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